Reviews for 'GHOST SONG'
THE HORN BOOK
After many lonely years as a slave who hunts and traps fur for the czar through the long frozen months of the northern winter darkness, Malyuta, the hunter, is awaiting with his wife the birth of a child. Coming across a sable in one of his traps, he dreams of a son with ‘cheeks red as blood, skin white as snow, hair black as sable.’ The birth of his son is for Malyuta a miracle, giving him all he ever wanted from life. When a powerful shaman appears on the day of the birth, claiming that this child is his apprentice, born to be a shaman and, like him, to live three hundred years, Malyuta refuses to give up the baby. He swears that he will ‘be a roof to him, a fire for him, a dog to guard him, a wall against the night.’ He names the child ‘Ambrosi’ which means ‘immortal’ and cherishes him just as he has promised, but he cannot protect his son from the dreams the shaman sends in which he gives the boy magical powers. In a parallel story, the shaman visits a camp of Lapp people, where he demands a baby to take the place of the apprentice he has been denied. When their young leader, Bitten-by-a-Fox, refuses, the shaman puts a spell on the tribe. In winter they will be wolves’; in the light of summer they will return to their human form. The curse can only be lifted when Ambrosi agrees to enter the Ghost World and become the shaman’s apprentice. Unable to care for their young or hunt effectively, the wolf people die off, until Bitten-by-a-Fox is driven to accept the shaman’s conditions. His wolf-pack will kill Malyuta, now grown old, while Fox leads Ambrosi to the Ghost World. In a final act of defiance, however, Ambrosi cheats the shaman of his apprentice by choosing death. The beauty of the descriptive language of this tragic tale adds to the folkloric quality of the story – which incorporated the Norse myth of the death of Balder – leaving a haunting memory for the reader.
THE BULLETIN OF THE CENTER FOR CHILDREN’S BOOKS
Ghost Song is a dark story in which life is as hopeless as death, yet it is also a magical tale of a shaman’s power versus love and loyalty. A parallel book to the author’s The Ghost Drum, the story is set in the same dismal and cold northern land. After the hunter Malyuta speaks a wish before a dead sable’s angry spirit (“So should my first son be – black, black hair… White skin, white teeth… Red lips, red cheeks… Black, white and red: sable, snow and blood.”) he is pleased when his newborn son fulfils his wish but distressed when the child turns out to have an immortal shaman’s soul. A shaman appears on the night the boy’s birth to claim him as his apprentice, but Malyuta will not give him up. The angry shaman does everything he can to take his apprentice, but the boy is protected by his father’s love. Price’s plot is as mystical as the words she weaves (“He would drop into a deep sleep, as far below dreams as a stone in the deep sea is below the waves”), but the story is hardly fey: the shaman has Malyuta violently murdered so that his loyal son is forced to follow the shaman’s wishes in order to save his father’s soul. This complex story will appeal to sophisticated fantasy readers. – December 1992
SCHOOL LIBRARY JOURNAL
Life is a sequence of choices and consequences. In Ghost Drum, a slave woman chooses to give up her baby daughter to a shaman so that the child could live free. In this companion novel, [Ghost Song] a young father, faced with the same choice, refuses to give up his new born son. The offended shaman, Kuzma, the only character to carry over from the first book, vows revenge and so a tragic sequence of events is set in motion. Kuzma’s anger is directed not only at Malyuta and his son Ambrosi, but also at a nomadic tribe who follow the reindeer. This tribe is visited by Kuzma, and although they welcome him and treat him with respect, he curses them and changes them into werewolves. To break the spell and save the tribe, one of them must serve Kuzma and help him to steal Ambrosi away from his fiercely protective father. Like the previous book, this one has the feel and flavour of old folktales, specifically those from northern Europe. There is a purity and a beauty to the language: every word, every phrase, is perfectly placed, like an exquisite ice sculpture. This is a must for libraries that own Ghost Drum, and even for those who don’t. – Susan M Harding, Mesquite Public Library.